Find out about the DoveSong Foundation and this website Go to the DoveSong Text Library Go to the DoveSong MP3 Library Go to Don Robertson's Music Contact DoveSong

DoveSong.com

clear

DoveSong.Com

  facebooktwitteryoutubeblogger

      DoveSong II:
   The 2010 Update

  About DoveSong II
  Musical Kaleidoscope
  Don Robertson's Music

  DoveSong.com I:
  The Classic Site

The Text Library
   Positive Music
        About Positive Music
        Papers/Articles
        The Movement
        Links
   Through the Centuries
        Overview
        15th Century
        16th Century
        17th Century
        18th Century
        19th Century
        20th Century
        21st Century
   Gospel Music
        Black Gospel
        Mountain Gospel
        Southern Gospel
   World Music
        Chinese Music
        Indian Music
        Persian Music
   Popular Music

 The MP3 Library
   Western Classical
        Plainsong (Chant)
        Renaissance
        Baroque
        Romantic
   Gospel Music
        Mountain Gospel
        Black Gospel
        Southern Gospel
   World Music
        India
        China
        Middle East
        Persia
   Pop/Folk/Country/Jazz


           Home


The DoveSong MP3 Library is no longer in Service
Stay Tuned for Further Developments

North Indian Classical Music

Raga Yamen

Holding a drum, yamen
--the mother of voluptuousness--
rests in the arms
of the vanquisher of demons.
How could I forget
her radiance
that puts to shame
the blue Jumna.

                                                                   Raga Sarara (ancient text)

Scale Up: B, D, E, F#, G, A, B, C
Scale Down:
C, B, A, F#, E, D, C
Main Note:
E
Always played during the early part of the night 

Raga Yamen is one of the principal ragas of North Indian classical music. Legend has it that Raga Yamen was invented by Amir Khursau (1253-1325) who also invented the khayal style of singing.

Raga Yamen

Raga Mood This orchestral version by V. Balsara from the difficult-to-find 1960's album Raga Mood serves as a great introduction to raga Yamen. The tala (rythmic pattern played by the tabla drums) in this selection is in xx beats.

Ustad Amir Khan Khayal in jhumra tal (14 beats) and Khayal in tintal (16 beats). 1960s.

Ustad Niaz Ahmed and Ustad Fayyaz Ahmed Khan Khayal in jhumra tal (14 beats). Mohammad Ahmed, tabla. 1960s.

Pannalal Ghosh Jhumra tal (14 beats) followed by tintal (16 beats). Pannalal Ghosh was one of the great flute players in India. He was born in Bangladesh in 1911 and died in 1960.

Bismillah Khan 1960s.

Raga Yamen Kalyan

Raga Yamen Kalyan is like raga Yamen, however a very exact and subtle use of the F Natural note is introduced.

Bhimsen Joshi Jhaptal. Gulam Rasool, tabla. Calcutta. 1960s.

 


@DonRobertson on Twitter

Rising World Entertainment


Copyright © 1997, 2000, 2005, 2010 by RisingWorld Entertainment 
All rights reserved.